Marvel Artist Joe Bennett Responds After Immortal Hulk Anti-Semitism Accusations

In Marvel’s Immortal Hulk #43 — out this week from writer Al Ewing and artist Joe Bennett — there is a scene in which Bruce Banner, as a very human-looking version of his Joe Fixit Hulk persona, attempts to make some quick cash and throw people off his tail by pulling off a scam. Small as the scene is, it quickly drew criticism following the comics’ launch because of imagery Bennett incorporated into the background.

As part of Joe’s scheme to get his hands on money while evading the authorities, he sets out to pickpocket a rich man on the street, and proceeds to use the contents of his wallet to buy a number of expensive pieces of jewellery. He then takes that to a pawnshop in order to exchange it for cash — less than “he” paid for it, but more untraceable money than he began with. The entire sequence unfolds quickly at the top of the Marvel Comics issue and has little bearing on the book’s plot, but what gave many people pause was one panel in which the Star of David is prominently featured as part of the store allegedly meant to be called “Cronenberg’s Jewellery” window dressing.

In addition to the Star of David, the positioning of both Fixit and the store employee in the panel block the store name in such a way that the letters visible spell out the word “Jewer,” something that, given both the imagery and the panel’s overall context, understandably led to some accusing Bennett of anti-Semitism. Between the absence of an “L” at all in “jewellery,” the Star of David, and the fact that this chunk of the story focuses on Fixit scamming his way into money, even if this was meant to be the creative team’s bad attempt at nodding to Uncut Gems, the optics alone in Immortal Hulk #43 make it more than easy to see why Bennett’s panels were offensive.
Read the article by Charles Pulliam-Moore in Gizmodo.