In a world where anti-semitism and racial tension are once again escalating, there could not be a more opportune moment for the return of Parade, the Tony Award-winning musical that boldly delves into one of the darkest corners of America’s history. Famed playwright Alfred Uhry (Driving Miss Daisy) and celebrated composer Jason Robert Brown (Songs for a New World, The Last Five Years, Bridges of Madison County) weave a powerful tale that transcends the passage of time, offering modern audiences a chance to re-examine enduring issues from a fresh perspective.
Set in 1913 Atlanta, Georgia, Parade retells the true story of Leo Frank, a Brooklyn-raised Jew, who, despite being innocent, is wrongfully convicted for the murder of Mary Phagan, a 13-year-old factory worker under his employ. Judged by a staunch Atlantan community, fueled by a sensationalist media publisher and a janitor’s false testimony, Frank’s fate is sealed.
This theatrical gem, however, is far from a mere history lesson. Through innovative staging and courageous character choices, it mirrors contemporary societal issues, stirring audiences to confront the still prevalent anti-semitism, fear of the ‘other’, and religious intolerance. As Winston Churchill famously said, ‘those who do not learn from history are doomed to repeat it’, and Parade makes an impactful case for this sentiment.
According to the producer Benjamin Samuel, “Whilst Parade is a period piece, our production connects the events of the past with events occurring in our modern society through provocative staging, character choices, and production elements.” The dedication to authenticity and respect in this sensitive production is evident in the extensive research and consultation carried out by the team.
Read the article by Sean McLoughlin in AussieTheatre.com.